after a bit of a quiet period, moods & grooves returns with a heavy hitter – gu (aka glenn underground). an icon from the 2nd generation of chicago house music producers, gu by far is the most prolific. back to the basic is a concept through which he returns to the roots of chicago house when producers made the music, not a computer or program.

big support from optimo, ivan smagghe, azari & iii, matthew dear, simian mobile disco, dave p, runaway, michael mayer, jackson and his computer band, ewan pearson, hercules & love affair....

a salute to the boobs. claudes super low down, >big n round< gets a supremely filthy treatment by some of his favorite producers of the year. the a-side is maetriks smashing >feel dem boobies< mix, a relentless tech funk bomb with a heavy beat rooted deep in the earth. the flip is the amazing holger zilske, delivering a super freaky computer-flavored funk mix.
claude vonstrokes hit album >bird brain< has been remixed by some of the best producers in the world from carl craig to robag whrume. dirtybird has decided to release the majority of remixes on vinyl in a series of very limited pressings throughout the next few months. each record will have 300 copies only.

tonbaumeister’s love for electronic music roots deep in the late eighties when he got his first computer, a commodore c-64, and when he instantly fell for the distinctive sounds of its sid chip. always driven by this passion he since then devoted himself to producing electronic music on various computing platforms and with multiple different programs to discover and soon constantly reinvent his own style. growing up in hessen, in the very heart of germany, he was deeply influenced by the endlessly evolving styles of house music and techno, which shaped the face of the vibrant club culture in cities like frankfurt and kassel. although tonbaumeister’s style might prematurely be declared as house music, the diversity of his productions makes it almost impossible to put them in a box and label them. his energetic tracks range from straight house to tech house to almost dark technoid characteristics, but suddenly one finds oneself surpr ised by the aforementioned sounds of late eighties computer games embedded in a psychedelic landscape with rough sawtoothy baselines. as hard as it is to pin down his production style, it is even harder to label his dj sets, which, as well as his productions, constantly evolve and morph while mirroring all of tonbaumeister’s influences. since 1999 he developed a passion for djing and he has had the chance to transport his enthusiasm into a number of clubs, infecting many clubbers with his verve. at the moment he is about to launch his own label subclinical

slowly but surely, a constellation of young artists have expanded around ali, basti, philipp santé. in the night, they share the same decks thanks to the newly created souvenir booking entity. during the day, they swap beats and samples in the studio of tiefschwarz located in prenzlauer berg, building up a new creative energy, which is giving birth to the 23rd release of souvenir on vinyl.adam port, re.you and rampa, already had their own shines this year on souvenir. now, its the turn of &me (front room, keinmusik) and fischer & kleber to release a new must-have record permeated with the best groove coming from the german capital city. on the a-side, &me brilliantly hurts with bleed. he punches on the left with an unstoppable drum, weaves on the right with an hypnotic loop, that stirs mental alertness up, barks his anger with a digital whouah going fast and forward and compelling any dancer to incredible footwork. knocked out! robert fischer & niklas kleber had in common an electronic liveact discokonzentrat (high nrising records) and a band spurv laerke before bringing in their new project, fischer & kleber. they set with berki on the flipside the singular but no less enjoyable soundscape of a cathedral under construction. lightening up with deeply felt and almost religious whispers, the shrilling noises of computer-generated machine-tool, the mechanical and cold precision of a pitched down digital rock-drill, the duo turns >berki< into a canticle of the new millennium

rush hour is proud to present a compilation of anthony shake shakirs best work from his own frictional label (and some choice output from 7th city) over the past 15 years. this limited edition 4x12 inch set comes with an exclusive two track 7 inch (only available with this pack). released 2 months in advance of the 3cd/digital formats…
the label shake started brought us some of the deepest, funkiest and most diverse techno of its time and has been surprisingly overlooked by many. after a few years hiatus, shake is now back and will be recording and releasing on frictional again soon.
this compilation includes all of the classics like >arise<, >frictionalized<, >get a feeling<, >my computer is an optimist<, >the floor filler< as well as an unreleased track >the other one<. all tracks have been carefully re-mastered, breathing new life into the original recordings.

electro remixes for the french punk band... on remix duties are maton jackson and his computer band and bobmo(institubes)!

with smashing contributions by electro lord legowelt from dirty brown the hague and bleep addict garçon taupe from the bourgeois slums of amsterdam, narrominded presents the fourth installment in its renowned split lp series. both sides of this split lp comprise a whole ep in length, and the contributions have in common that they are both deeply rooted in electro music.
on garçon taupes wittenburg ep, eighties infected drum computer beats and heavy bass lines pave the way for some rather cheerful and unpretentious melodies. the five tracks were mixed to tape at rude 66s triple six lounge studio, and reveal influences from electronic pioneers like yellow magic orchestra and mantronix, to todays acid freaks like luke vibert and like a tim. the end result is a catchy mixture of electro and acid.
legowelt explores the darker corners of electronic music in four tracks leaning on eerie vocals and grungy electro beats. his land rovers in astrophysics ep takes us to mysterious environments. we are spacing out on the force of the stars, the universe, etc, and dancing to hypnotic drums on a mystical trip to pago pago west samoa. legowelt not only knows how to to satisfy a dance floor, but is also capable of deeply appealing to the listeners imagination.

the particular view on a musical future might have been considerably different when olaf hilgenfeld (berlin) met iftah gabbai (jerusalem) for first sessions in 2004. the piano player hilgenfeld used the accordion that time mainly, whilst gabbai was using all instruments available, a computer was among those more by chance. only one year later the duo skinnerbox played regularly on such uplifting, innovative off-partys that came up in the new techno generation again.
that was just the beginning. skinnerbox have developed a purely electronically composed and performed music (partly featuring vocals by elle_p) – that is not based on loops but improvised techno inspired house and minimal house. the roles in the duo are clearly settled: olaf hilgenfeld – moog synthesizer, iftah gabbai – hardware drum machines, max/msp und ableton live.
all these distinct impacts and effects can be heard on their various releases from the last two years, but far better in their live sets. skinnerbox are an experience, taking you on expedition with paralyzing minimal, breaking house, hard-edged techno-jazz, and ambient electronica futurism.
it was a desire to eternalize this play- & colorful diversity, often just caused by the moment, as entire homogeneity. thus, they needed to leave temporarily their environmental techno and minimal house scapes. >king of spades and marmalades< – the result – is a jazz opus wrapped into a disco suitcase. it is a reminiscence as well as going far ahead of daily musical habits, shown not at least by the order of tracks, do not starting with a stunning hit of the album, but with 20 minutes of challenge.

shawn rudiman (known from technoir, matrix records, and most recently minimal soul records) appears as new artist on cache with amazing deep dub monstertrack, and finest detroit techno flavours.
cache records new single features highly underrated talents of shawn rudiman, usa. nearly 20 years making music, a true professional delivers.
deep atmospheric dubtechno on the a side, with appeal to dancefloors and homelistening.
b1 >no limits< is finest classic detroit techno, b2 a beautiful ambient/ electro number.
why this release has a classic sound feel you may ask? simply because its not a computer production. real instruments have been used and the human elements clearly show.

classic!! 2009 remastered edition! incl big booklet

classic!! 2009 remastered pressing!! incl big booklet

this is the first release of aoki takamasa on raster-noton.
aoki was born 1976 in osaka and is presently resident in berlin, germany. he has been releasing music since 2001 and ever since has been reviewing his personal methodology whilst actively creating sounds based mainly on computer/software. aoki is an energetic artist vigorously expanding the limits of original musical expression. he enthusiastically pursues an expansive variety of techniques of expression via a broad array of software and hardware. the rhythm and groove created by driving the cpu to the max may seem extreme. however, the respect and the inquiring mind to the root existence of the art expression of music keeps flowing incessantly.

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

we are very proud to present a brand new record by mr kerri chandler. the computer games story continues on deeply rooted house with expansion pack o.4 : two dope tracks mixing raw house sounds and computer games inspired sounds. enjoy ! support from ben klock, laurent garnier, josh wink, heiko laux, stacey pullen, radio slave, phonique, ame, 2000 and one, dj 3000, shinedoe, argy, electric indigo, ian pooley, jon cutler, raresh & more !

the seventh release of restoration records is the celebration of the love between men and machines. sykon is true joy and happiness, it s the speech of the synthesizers, it s the passion for hardware samplers and sequencers, it s the addiction to the juicy sound of tape compression. as usual, no computer has been involved in the production of this record.
ôyes, the 4th dimensionö, by eduardo de la calle is a masterpiece of hermetic theories applied to advanced minimal techno. it s mental and involving, deep and solid. hi-tech reduced synthesized sound build up a never ending progression upon the strictness of its low tom layer. mystical energy tthat will kidnap everybody on the dancefloor.
in marieu s ôrootsö, you can hear all the trademarks of the boss of the label. dark, hypnotic and pumping, it developes a bouncing double bass line that breaks the atmosphere with an aggressive 808 kick. acid and funky at the same time, it s simply a time bomb.
on side b, lucretio s ôwhere youö is a superb synthesis of his detroit techno and uk-garage influences. relentless effective old-school drums run with a female vocal sample. soulful chords sing along balistic claps. an evocative string line introduces a touch of blues. a sweet sunset on the groove, a smooth weapon.
last but not least, a touch of class by the analogue cops: ôslowlyö. it s a down beat fusion of jazz and deep house. a monumental bass drum bursts a celestial big band interlude. a sexy 303 acid line, an elegant high-hat, a snappy snare. just few things but on the right place. a delight for your mind and for your body.
restoration records are played by djs such as james pennington aka the suburban knight, dj buzz goree, ame, eddie flashin fowkles, alan oldham, rick wade, marcel dettmann, prosumer, steffi, tama sumo, tyree cooper, norman nodge, santiago salazar, pacou, mad max, dj jus ed.

bozzwell throws us a slice of deep computer funk, a dark and skippy journey, a story even! not content in churning out tracky dull techno, hes come up with something deep with a thoughtful and intriguing narrative lyric and remixes by popnoname and andre kraml

- 5 kanäle • jeder kanal mit 3-band eq8 line, 3 phono und 3 mic eingänge2 usb ports, als ein- oder ausgang zuweisbar • usb in zum anschluss von computern als audioeingang • usb out zur aufnahme des sets auf den computer • symmetrischer xlr master ausgang,

gemmy hails from the hugely influential bristol bass scene. part of the purple trinity along with joker and guido, he already had a big release on the bristol-based punch drunk label and plays by the likes of pinch, joker and mary anne hobbs (radio 1) gemmys debut for planet mu is a bass heavy ride. with p-funk and grime influences, gemmy blends the dub and the step with fat portamento synth lines and computer game fx to great effect ensuring maximum dancefloor impact. supligen is a bass funk attack to the senses giving you a taste of what to expect from gemmys debut album (planet mu ziq230 due august 2009). bristolian synths and shuffle beats are sure to get the wonky heads bouncing. bt tower is another anthemic jump up wobbler with a full-on bass drop that will punish the limiters on any decent rig. watch your bass bins!

da traxer is a young french guy who makes his computer program sudies in lyon. he also makes music during weekends, and it s brillant. it s pure house music of this new century. you can feel the old school chicago ghetto house and detroit house influence on his music. sometimes bangin and powerfull or sometimes deep, but always funky. shake your booty, baby !!!!! supported by dj hell (berlin/munich) antony shakir (detroit.michigan) jori hulkkonen & more

3 track hardcore inferno!!

dojo is about getting back to the roots of american techno and house, and getting away from the computer. we want to help bring back the spontaneity and freedom of live performance and recordings. we want to celebrate the raw physicality of the music, and the dj who still likes to mix. ross since, 1997, ross has been in the background of the westcoast canadian techno scene, particularly the victoria family that included mathew jonson, cobblestone jazz, the mole, and hrdvsion. in 1998, he released the now out-of-print compilation album ôgarden city dubs, that featured first material by mathew jonson, and cobblestone jazz. he left for california in æ98, but kept his finger on the pulse as the art director for itiswhatitis recordings. while in the bay area, he listened mostly to soul,rap and early american techno music. heavily influenced by his time spent in the u.s., he started to develop a musical aesthetic, which he is now ready to express. young florent florent moved to vancouver from switzerland to attend art school. he began to get into making techno. tapping into his french-martinique roots, florent quickly developed a unique sound, which caught rossÆs ear. a few live jams later, it was clear that they worked well together, so they got a studio space and got to work. one month later, dojo had its first release. florent has only been making music for a year, but his swiss work-ethic is dangerous

after the brilliant albums by alex cortex, cim and lucky & easy, now the swedish volunteer dribs comes with this warm brilliant debut album. the ann aimee label specialises in warm, originally crafted, electronica sounds. where the two first albums had a touch of the detroit sound, the album by lucky & easy and this new album by dribs go more along the lines of plaid, autechre and boards of canada. the full sleeve artwork for this release comes again by delta.inc, who gave all releases of the label their remarkable outfits! as introduced with his blending ep, dribs is the newest scout on board. dribs, on earth known as fredrik stling, comes with this full 12 track album with beautiful carefully crafted electronica. all tracks come in gentle and easy, and in sound come most close to arovane or boards of canada. intruiging rhythms, together with the soft beautiful melodies, make this a perfect listening album for the autumn and winter to come. beautiful

analogue rules !! >pay the toll< e.p is the new statement of restoration records. this e.p has been produced only with hardware equipment, no computer have been involved in the process of the creation of the music, its the fruit of the interaction between man and machines, its the exploration of a moment. music is a sacred thing.

after internationally acknowledged releases on philpot and buzzin fly, here today surprise us with their first ep on 33rpm records. here today (florian schirmacher & engin oeztuerk) shape computer based soulful electronic athmospheres! focused on house music but always willing to experiment with various well integrated influences, styles and sounds. engin oeztuerk and florian schirmacher share the musical affection for marvin gaye, the meters, theo parrish, basic channel, eric b. & rakim and alexander skrjabin. as a member of the band faruk green engin oeztuerk already released records on copasetik and 33rpm records. florian schirmacher has been releasing music on labels such as cadenza, cocoon, morris audio to name but a few. he is also part of the electronic house music duos glowing glisses (pokerflat) and federleicht (connaisseur). on the comrades ep, these two musicians team up with benjamin wild. benjamin wild produced ambient music in the early nineties. since the mid-90s his focus has been turning to dance music. you might know some recordings he did for kompakt, perlon, morris audio, force tracks and many other labels. let them out and enjoy!

an unsigned trio consisting of members from wales and northern ireland, two door cinema club make no secret of the fact their rhythm section is computer-assisted. likened to death cab for cutie and broken social scene, a few imminent uk dates are followed by european shows. every now and again a song comes along which, once heard, feels like it has become ingrained in your skin - and this is one of those tunes. a quirky combination of electro-pop and indie, the key lies within a relentless beat combined with an airy guitar riff. add in harmonious vocals and youve an infectious ditty, but whether it falls on the side of genius or annoyance may change with repeated listens

cameas latest clink release has arrived, featuring an alexi delano rework. this eloquently produced ep resonates between minimal, techno and tech-house, and hits the spot for both peak-time and after-hour moods. camea has been hot on the dj circuit this year, and this release is a great tribute to the growing following for her performances. titled >happy ending<, it hits the spot with heady melodies, dark vocals, a touch of soul and irresistible percussion for the dance floor. alexi delanos remix on the b-side delivers an artistic and trackie techno burner that compliments this ep with a flattering perspective. it is a fantastic addition to his long list of heavily rotated masterpieces, including high profile contributions to labels such as plus 8, items and things, spectral, drumcode and frankie records. this combined release is a hot item for djs and collectors.

mercurochrome was born with this new century in the shadow of the cows of jura. created under the initiative of a handful of people with a weird techno and electro fringe background, this label is made of a dozen of artists, producers and djs.

limited 12 transparent vinyl / numbered copies. after kerri chandler computer games remixes by ben klock (drh018) & argy (drh019), 2 new remixes from ben klock !. a future big classic !

rockford inc. is sullivan sawyer and dwight jenkins who put their souls into their computer and see what comes back out. in this case, its >like a rock<, a contemplative slow-burner that spreads itself over 11 minutes. on the b-side, >minas theme< is an uplifting melodic house tune, drenched in optimism, the ideal antidote for dreary dancefloors.

hand clappin, foot tappin, knee slappin - mr. a skillz presents the latest hot nugget from finger lickin. happiness is a collaboration with south coast superstar dj, krafty kuts. sunshine sounds that swing a punch at the credit crunch whilst the world slips into recession, money wont bring happiness. could this be the anthem to save us from national meltdown? funky brass stabs, jazzy keys and hand clappin beats make this an instant hit, already proven so at a skillzs sell out shows and championed by radio 1s annie mac. on the flip he has hooked up with beatbox legend beardyman who recently performed in front of al gore alongside wyclef jean and will.i.am at a computer convention in the states. a long night locked in the studio with a case of shandys and the dynamic duo came up with this fun tastic jb inspired groove. all vocal dexterity comes courtesy of one mans mouth and anothers nifty talents on his laptop.

mike takes his ambient album closer stargirl and remixes it into a carl craig inspired deep, minimal track with a gorgeous string section and some twisted computer arpeggios. saleri complex an extended club mix that uses eerie pads, detroit styled synths, and twisted vocal samples.

raubauken techno-rock von den hamburger jungs. hartz iv verträglich und büdchen-kompatibel

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

played by: karotte, mathias kaden, sebo k, stefan goldmann... franklins early musical roots began with a taiwan drumset and a hohner organ. after some training years under the influence of metal, jazz, 70sprog/rock and live perfomances as a versatile drummer his transition to electronic music began with an amiga 500 computer. the trackermusic of this machine lead him to the early techno music of the 90s and early production experiments in his fathers home studio. first releases followed in 1995 to 96 on the label fusion records (w/ 303 nation member, patrick vauillaume). later he released as tichy on various frankfurt techno labels until at the end of the 90s his search for inspiration brought him to a very experimental production phase without the 4 to the floor presetting. from this he developed his distinctive trademark sound with straight grooves and frisky sound design. meanwhile franklin was gaining more international recognition with releases on well-known labels such as trapez ltd, karmarouge noir, einmaleins musik and treibstoff. his singles entered the charts of the german groove magazine, german dance charts and the charts of djs worldwide. after his last release on resopal red he is coming up with his debut on leena music.

bastian heerhorst, also known as fukkk offf brought the heat at the end of 2007 with electro hip hop stormer >im a freak< which gained huge support from djs and clubs across all genres and time zones. he is back for summer 08 with a three track monster called >rave is king<. if you wanted more after >im a freak<, then youve got it. the a-side kicks off with the single for which the e.p. is named and it starts out with a computer voice chanting >neon lights, party people, revolution, rave is king< backed by a maximized electro basslines straight out of 2008. the flashback comes in after about four minutes taking you back to 1988 with piano stabs from when rave was only a young prince. next up is >rock paper scissors< which is quite simply a monster builder that only gives you rare glimpses of a release. on the b-side things take a decidedly darker turn with >black phantom< another beast with menacing organ grinds and horror movie vocal snips. dark, pounding and relentless, >rave is king< brings you the full view of the royal court of fukkk offf

zwischen techno und house, zwischen traditionell und modern, zwischen band und computer ist alles erlaubt. hauptsache es kommt von herzen. genau das bieten uns alex cortex und lopazz hier!! powerhouse!!! limited

10inch expansion pack is a very special collection of remixes and unreleased tracks taken from kerri chandlers recent album computer games. first shot is called hexadecimal.

nice price deal !!! four different interpretations of crazed computer funk!! bumps along like a heavier daft punk house track with a heavy dose of boogie in its blood... heavily supported by play paul,adam freeland, john digweed, greg churchill, ante perry,acii.disko, azzido da bass, beats international, dada life, moston, malente, mario rogowski, robosonic, disco boys, daniel dexter, danny bonnici, tapesh, timo di roy, tom wax, gus gus, xenia beliayeva and many more

4 massive techhouse tracks by adult only head honcho chris carrier here!!! nice collaborations with robsoul mastermind phil weeks and dialects cyril k!! not to be missed

six slamming acid trax pressed on grey vinyl. contributions from roland casper, paul birken, acid phreex and more!

this 12 contains vinyl only remixen! his previous release was on yoshitoshi recordings. evolve features a trippy male vocal loop that works perfectly with the simple bass and drum loops.

this package isbased on the classic of 88 to piano, a track originally released in 1991! the dub version is a bouncy version that explodes in the break, while the original works into a different way to that climax.

phat banging acid infected techno 6 track ep with tracks by roland casper and paul birken for example

vol. 2 on the moustache italo edits series, containing some of the most rare and obscure italo releases ever produced, and this one will shake the galaxy. only 500 copies available

slamming 2 track with 2008 versions of fight for your right & computerlove

this is the new adnckrystall lp, the second (the fourth in fact), a pure non conformist album, no computer, no midi system, no good taste of studio mix for fucking mass fun commercial of artistico politico correct electro. just sincere 80s analog french cold wave romantic trashy noisy - because synthies are punkies naive vox biologic fxs but sex and chic!

hot electro trax by max durante, dynamik bass system, dexorcist and a massive hyde remix of dominator